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Can poetry tell us anything new about the movies we love? Or is it the other way round? Can the blockbusters we watched in the 1980s, 1990s and 2000s shed light on poems old and new? If anyone knows, it‘s poet Adam O. Davis and soi-disant film buff Colin Waters. Adam and Colin ‘met‘ when Colin recorded a podcast interview online with Adam in the autumn of 2020 about his (then) new collection Index of Haunted Houses. In the course of talking, both men discovered that they were as great fans of David Lynch and John Woo as they were of T.S. Eliot and Sylvia Plath. Under lockdown and with too much time on their hands, they started talking about the films and poems they loved and began to see connections between them. Boldly disregarding a sneaking suspicion they were recording possibly the most niche podcast in the history of podcasting, Adam and Colin have made six episodes charting their obsession, moving from exploring films made by poets to films about poets. Adam and Colin have made six podcasts charting their obsession, moving from looking at films made by poets to films about poets. In between, they look at Face/Off, Zodiac, Poltergeist and Groundhog Day, and ask if they have anything to tell us about such traditional poetic concerns as identity, poems as codes, how the past haunts the present, and drafting and redrafting (and redrafting).
Episodes
Tuesday Nov 30, 2021
Tuesday Nov 30, 2021
People often think poems are codes to be cracked. Is it possible to enjoy a poem without 'solving' it? In search of an answer we turn to David Fincher's 2007 masterpiece Zodiac, which is based on the true story of the serial killer who terrorised San Francisco in the 1960s and 1970s. Is there more to our hosts' cheeky suggestion that there are similarities between Zodiac's fondness for writing letters to newspapers and poets submitting work to journals? We find out with the help of poems by Billy Collins, Rimbaud and Harryette Mullen.
Guest star: Diana Marie Delgado, author of Tracing the Horse, on Bram Stoker's Dracula.
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