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Can poetry tell us anything new about the movies we love? Or is it the other way round? Can the blockbusters we watched in the 1980s, 1990s and 2000s shed light on poems old and new? If anyone knows, it‘s poet Adam O. Davis and soi-disant film buff Colin Waters. Adam and Colin ‘met‘ when Colin recorded a podcast interview online with Adam in the autumn of 2020 about his (then) new collection Index of Haunted Houses. In the course of talking, both men discovered that they were as great fans of David Lynch and John Woo as they were of T.S. Eliot and Sylvia Plath. Under lockdown and with too much time on their hands, they started talking about the films and poems they loved and began to see connections between them. Boldly disregarding a sneaking suspicion they were recording possibly the most niche podcast in the history of podcasting, Adam and Colin have made six episodes charting their obsession, moving from exploring films made by poets to films about poets. Adam and Colin have made six podcasts charting their obsession, moving from looking at films made by poets to films about poets. In between, they look at Face/Off, Zodiac, Poltergeist and Groundhog Day, and ask if they have anything to tell us about such traditional poetic concerns as identity, poems as codes, how the past haunts the present, and drafting and redrafting (and redrafting).
Episodes
Tuesday Oct 19, 2021
Tuesday Oct 19, 2021
How often have you heard a film described as 'poetic'? Does 'poetic' mean anything more than 'looks nice'? What, if anything, do poems and films have in common? In the first episode of Poetry Goes to the Movies, we look at film directors who wrote poetry (Derek Jarman, Pier Paolo Pasolini, Abbas Kiarostami) and poets who made films, with a particular focus on Maya Deren and Margaret Tait.
Guest Star: Gerda Stevenson, author of Quines, talks about acting in Tait's sole feature-length film and her own poetry.
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