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Can poetry tell us anything new about the movies we love? Or is it the other way round? Can the blockbusters we watched in the 1980s, 1990s and 2000s shed light on poems old and new? If anyone knows, it‘s poet Adam O. Davis and soi-disant film buff Colin Waters. Adam and Colin ‘met‘ when Colin recorded a podcast interview online with Adam in the autumn of 2020 about his (then) new collection Index of Haunted Houses. In the course of talking, both men discovered that they were as great fans of David Lynch and John Woo as they were of T.S. Eliot and Sylvia Plath. Under lockdown and with too much time on their hands, they started talking about the films and poems they loved and began to see connections between them. Boldly disregarding a sneaking suspicion they were recording possibly the most niche podcast in the history of podcasting, Adam and Colin have made six episodes charting their obsession, moving from exploring films made by poets to films about poets. Adam and Colin have made six podcasts charting their obsession, moving from looking at films made by poets to films about poets. In between, they look at Face/Off, Zodiac, Poltergeist and Groundhog Day, and ask if they have anything to tell us about such traditional poetic concerns as identity, poems as codes, how the past haunts the present, and drafting and redrafting (and redrafting).
Episodes
Tuesday Jan 11, 2022
Tuesday Jan 11, 2022
Bill Murray found himself stuck on repeat in 1993's Groundhog Day. Can being forced to relive the same day give an insight into the redrafting process? We also have a think about why light verse and film comedies don't get the respect they deserve. And there's a little look at Bill Murray's well-publicised love of poetry. Look out for poems by Samuel Coleridge Taylor, Emily Dickinson, David Berman, Wendy Cope, and Marianne Chan.
Guest star: Emma Hine, author of Stay Safe, on When Harry Met Sally and Jaws.
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